The artist likes to use the technique of linoleum engraving, plate compressed cork. This technique can be compared to the woodcut. In this kind of more flexible engraving, ink carefully avoids hollows engraved.

"In my engraving work, I cannot deny the preponderant influence of Picasso: one linoleum plate engraved several times to get the desired colour. The exhibition "Picasso linograveur" in Antibes and at the Gianadda Foundation in Martigny in the autumn of 1988 certainly influenced me a lot. Replicating several copies with endless possibilities, the risk of "double or quits" linked to successive draws, simple equipment and the perpetual flat depth effect show how attracted I am by this technique."